Sunday, September 15, 2019
ââ¬ËBlessingââ¬â¢ with ââ¬ËIsland Manââ¬â¢ Essay
Compare ââ¬ËBlessingââ¬â¢ with ââ¬ËIsland Manââ¬â¢ showing how the poets use description to convey the thoughts and feelings of the characters in the poems. ââ¬ËBlessingââ¬â¢ and ââ¬ËIsland Manââ¬â¢ are two very different poems. The theme of ââ¬ËBlessingââ¬â¢ revolves around people in a third-world country, who get very little water given to them. A blessing in their eyes occurs when a pipe bursts. ââ¬ËIsland Manââ¬â¢, however, is about a man from the Caribbean who is now in London, but dreams he was still living in his homeland, even though he wakes up back in London. While the poemââ¬â¢s themes are dissimilar, the poems are both very descriptive, and the poets use description to help us empathise further with their characters. The structure of the poem ââ¬ËBlessingââ¬â¢ is quite irregular. The first stanza is a mere two lines: it sets the scene. The next two stanzas increase in length before becoming smaller again at the last stanza. This helps us to picture how, in the beginning, there are only a few drops of water available however when the pipe bursts in the third stanza, the verse size increases along with how much water there is. Also, in the third stanza, commas are omitted in the line ââ¬Ëevery man woman childââ¬â¢ to show the urgency of everyone in the village, who seize this opportunity to grab water. Imtiaz Dharker does use commas however when describing the different materials that the pots are made of. This makes it seem as if, even though Dharker only describes five vessels, there are a multitude of pots and buckets being used. Throughout the third stanza, the lines are free-flowing, and run into each other like the water which is being described. ââ¬ËIsland Manââ¬â¢s structure is also a fairly irregular one. Lines such as ââ¬Ëgroggily groggilyââ¬â¢ and ââ¬Ëto surge of wheelsââ¬â¢ are placed away from the main poem; this gives a sense of confusion, like the man who has just woken up and is still not quite sure where he is. To add to this effect, the lengths of lines in each stanza vary and this gives a muddled or sleepy feel to the poem. The last line ââ¬ËAnother London dayââ¬â¢ is on its own to show that the man has finally come out of the dream, and he is jolted back into reality. Another short line appears at very beginning of the poem. The one-word, staccato sentence shows how the island man has suddenly woken up. ââ¬ËBlessingââ¬â¢ uses very descriptive language to convey how the characters are feeling or thinking. Throughout the poem, there are subtle references to church or religion. Using words such as ââ¬Ëcongregationââ¬â¢ or ââ¬Ëa kindly godââ¬â¢ make the reader feel as if the water is a gift from God. This is amplified by the fact that the poem is called ââ¬ËBlessingââ¬â¢, which is a spiritual word and often associated with God and religion. There are more implications that the water is a gift from God, such as when the poem says ââ¬Ëthe flow has foundââ¬â¢. This shows that the water finds the people, instead of it being vice versa ââ¬â it sounds miraculous, because the people didnââ¬â¢t choose for all this water to come at once but it was greatly longed for. Dharker also conveys how important the water is to them by describing it as ââ¬Ësilverââ¬â¢ instead of just water, and ââ¬Ësudden rush of fortuneââ¬â¢ to show that in their country, water is extremely rare and never taken for granted. Words with negative connotations for us such as ââ¬Ëscreamingââ¬â¢ and ââ¬Ëroarââ¬â¢ are turned around in this poem and used to a positive effect. In the last stanza, the phrase ââ¬Ëflashing lightââ¬â¢ could show how water is such a light to these peopleââ¬â¢s lives and a novelty to them, on the other hand it could also show that the flow of water is slowing down now, and it is only in spurts or flashes but still looks like light. ââ¬ËIsland Manââ¬â¢ also contains very powerful language. In the first stanza alone there are many interesting word choices. The word ââ¬Ëwombingââ¬â¢ conveys how comforting and secure the Caribbean seems to the man. It is linked to him feeling safer at his place of birth rather than a bustling city like London. Colour is used several times in the first stanza as well: ââ¬Ëblueââ¬â¢ for surf, ââ¬â¢emeraldââ¬â¢ for the island vegetation and ââ¬Ëgreyââ¬â¢ for the traffic of London. This gives a very strong image in the readerââ¬â¢s mind. ââ¬ËWild seabirdsââ¬â¢ is a very natural image which gives a strong contrast with other descriptions such as ââ¬Ëdull North Circularââ¬â¢ ââ¬â it shows how artificial London is in comparison to the Caribbean. Some ambiguous words have been chosen too, such as ââ¬Ësoarââ¬â¢ and ââ¬Ëroarââ¬â¢. These are ambiguous because they could easily apply to the Caribbean sea, or the London traffic. Various poetic techniques are put to good use in ââ¬ËBlessingââ¬â¢. The first one that becomes apparent is the use of end stopped lines. These keep the sentence to the point and fairly literal, which is important when they are used to set the scene, as seen in the first stanza of ââ¬ËBlessingââ¬â¢. Imagery is frequently used too, such as ââ¬Ëliquid sunââ¬â¢ and this adds to the feeling of heat in the poem, helping us to realise how important the water is to the characters. Onomatopoeia is used in the line ââ¬Ëdrip of it, the small splashââ¬â¢ and this is used to give a clearer picture of what is happening in the poem. Another technique used is alliteration. One example of this is the phrase ââ¬Ëpolished to perfectionââ¬â¢ which helps the reader to picture the scene. Also, ambiguity features in ââ¬ËBlessingââ¬â¢ in the phrases ââ¬Ëhighlightsââ¬â¢. While we would tend to think that highlights refers to your hair, in this country the children ar e not as superficial as we are. The highlights probably refers to their skin being changed colour by the reflecting sun and water. This inconclusive word gives a sense of mystery to the last stanza, and it makes it seem like a cliff-hanger ending. ââ¬ËIsland Manââ¬â¢ shares some of ââ¬ËBlessingââ¬â¢s poetic techniques such as the use of metaphors, in ââ¬Ëpillow wavesââ¬â¢. This shows how island manââ¬â¢s dreams of sea comfort him in his sleep. Virtually no punctuation is used in ââ¬ËIsland Manââ¬â¢ to show how relaxed the personality of the man is, however a capital letter is used to mark a turning point in the poem. It is used in ââ¬ËComes back to sandsââ¬â¢ to show that now, the island man is back in London physically and mentally. Grace Nichols relies on sound to make an effective contrast: she makes a clear difference between the breaking of the surf and the roar of the traffic. In conclusion, while these two poems are basically about two very different things, they share many descriptive techniques. I definitely enjoyed both of the poems, but ââ¬ËIsland Manââ¬â¢ is the one I prefer. I find it quite easy to relate to because Iââ¬â¢ve had many dreams I havenââ¬â¢t wanted to wake up from, and even though I live in a city, the huge amounts of traffic is sometimes daunting to me, as it is to the island man. I found ââ¬ËBlessingââ¬â¢ harder to relate to, as a lack of water isnââ¬â¢t something we generally experience in this country. However, the poem makes you want to not take things for granted which I think is a moving sentiment.
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